By George Boas
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Extra resources for A Primer For Critics
5) Milton enjoyed * composing Paradise Lost, his artist work of enjoyed producing value of the artistry from the 6) Milton's daughters watching him compose 1 A nobler word can be it; or i. artist's art. i. , the else enjoyed the observer enjoyed substituted for ''enjoyed*', if preferred. NECESSARY DISTINCTIONS 27 watching the artist producing his work of art. ) 7) Milton enjoyed listening to Paradise Lost after it was written; i. , the artist enjoyed observing his finished work of art. ) enjoyed reading Paradise Lost; i.
Read a book or hear a piece of music through our therefore change to some extent a work whole past We of art each time we observe it and each of ttesc new STANDARDS OF OOTiaSM: INSTRUMENTAL VALUES creations has to be judged be upon sure, the printed edition phony; we may call so, the real music. that, if its merits. There 37 is, to of Beethoven's Fifth Sym- we take Beethoven. But as it any pleasure in doing lies on the shelf it is not To turn it into music requires Stokowski or Mengd- berg or Toscanini plus an orchestra plus the various ears that hear it Who is the artist?
Are lower if one uses the metaphor of a building, but higher, The if by "higher" one means "more necessary". terminal values therefore are closely interrelated and the be untangled to make one interest interests they satisfy often cannot What can be done, predominant and if one pleases, is try to subordinate the satisfaction of all others to its satisfaction. This path has been followed with unusual persistency by some people, like Diogenes the Cynic, presumably some of the early Christian saints, and many modern American businessmen.
A Primer For Critics by George Boas