New PDF release: A History of Video Art (2nd Edition)

By Chris Meigh-Andrews

ISBN-10: 0857851896

ISBN-13: 9780857851895

Publish yr note: First released November seventh 2013 (2nd), first version (2006)
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A historical past of Video Art is a revised and elevated version of the 2006 unique, which extends the scope of the 1st version, incorporating a much wider variety of artists and works from around the globe and explores and examines advancements within the style of artists’ video from the mid Nineties as much as the current day. moreover, the recent version expands and updates the dialogue of theoretical strategies and concepts which underpin modern artists’ video.

Tracking the altering kinds of video paintings with regards to the revolution in digital and electronic imaging that has taken position over the last 50 years, A historical past of Video Art orients video paintings within the wider artwork ancient context, with specific connection with the shift from the structuralism of the past due Sixties and early Seventies to the post-modernist issues of the Nineteen Eighties and early 1990s.

The new edition additionally explores the results of the internationalisation of artists’ video within the interval top as much as the recent millennium and its matters and preoccupations together with post-colonialism, the post-medium situation and the effect and effect of the net.

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Extra resources for A History of Video Art (2nd Edition)

Sample text

Bede then presided, saying, "Okay, boys, let's get started. " When Berle picked up a champagne bottle to break over the facade the Friars yelled, "Why break it? " So they trooped inside to the "lavish semi-circular bar" (naturally) on the first floor. " The Fl"iars celebrated their 50th Jubilee in 1954-can you believe we've hit the halfway mark here? Our little Club is growing up so fast! It \vas such a monumental milestone for them that they shared the event with the general public by televising the Anniversary Frolic on CBS' Colgate Comedy Hour.

Barnes-A New Gun; Irving Berlin-An American Name; Francis X. Bus hm a n-Mash Notes; Frank Carter-Nut Tootsie Rolls; George M. Cohanlmitators; Wm. Delany-A Rubber; female impersonator Julian Eltinge-Reducing Parlor; Douglas Fairbanks-Less Jumps; Frank A. Fay-A White Slave; Wm. Randolph Hearst-More Circulation; A1 Jolson-A Corking Show; GeorgeS. " Nut Tootsie Rolls does sound like an interesting concept, but a white slave? Is that supposed to be more PC? When the twenties roared into town, they headed straight for the Friars Club.

You are a Nazi. " Surely AJan had planned finer things to say had the Man of the Year not made such a sneaky retreat, but isn't he so much funnier when he allows the proverbial shit to hit the fan? " But the joke would be on the Friars, because as eve1yone who's ever played the home version of Jeopardy! knows, the tenor of their saying has already been taken by, "Behind every great man there's a great woman"-and there's the rub! For almost a century the Friars held firm to the belief that a IN THE BEGINNING I 45 woman's place was anywhere but in the sanctity of their cigarscented, gin-soaked, carefree-cursing Club.

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A History of Video Art (2nd Edition) by Chris Meigh-Andrews


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